Today I was talking with a New York Times bestselling author. He was explaining to me how he had used video to drive his most recent book onto the best sellers list. “Nothing sells like video,” he explained.

Many authors have done this in the past few years, including Brendon Burchard, Gary Vaynerchuck and Chris Brogan.

Whenever I speak on the topic of platform-building, someone always asks, “How can I generate more traffic for my blog?” Most are hoping I have a silver bullet, something that will instantly get them the recognition they deserve.

The bad news is that it’s not quite that simple. Rome wasn’t built in a day and neither is a platform. It takes doing several things right—and doing them over a long period of time.

I rarely meet a Twitter user who doesn’t want more followers. A few argue that the numbers aren’t important. They are only concerned with “quality followers.” I’m not sure it is either/or, but I notice that most of the people making this argument have very few followers.

Why would you want more followers? Three reasons:

1. More followers provide social authority. Like any other ranking system, the higher your follower count, the more people assume you are an expert—or at least someone interesting. It may not be valid, but it’s the way it works in a world where there is a ranked list for everything.

I have yet to meet an author who thought his/her publisher did enough marketing or who was satisfied with the royalties received. Most have the fantasy of writing the book, submitting the manuscript, and then sitting in a lawn chair next to the mailbox, waiting on those big checks to show up. The reality of publishing and the source of real income is a quite different picture.

Several years ago Mark Victor Hansen, author of Chicken Soup for the Soul, told a small group of us author wannabes something that revolutionized my approach to writing. He said, “Everyone I meet wants to write a book. I tell them, ‘Write your book. Do a great job. Now you’re 10% finished. The remaining 90% consists of marketing, promoting, developing ancillary products, etc.’”

Early in my career, everyone else seemed to be control. I interviewed for a job, then waited for the hiring manager to offer me the position. I worked hard, then waited for my boss to give me a raise. I achieved bottom-line results, then waited for the vice president to approve my promotion.

When I started writing, it also seemed like everyone else was in control. I prepared a book proposal, then waited for a publisher to offer me a contract. I wrote the manuscript, then waited for booksellers to order the book. I published the book, the waited for the media to book me.

“If a tree falls in a forest and no one is around to hear it, does it make a sound?” This philosophical question doesn’t seem to have an answer. I mean, there is only a sound if someone is there to perceive the sound waves, right?

Your message, your story, your speech, and your book are much the same way. The sound they make is—dare I say it—irrelevant, if there is no one there to watch you, hear you, or read you.

If you are attempting to build your own platform, you need photos—of yourself. Why? Because people want to connect with people not merely brands, products, or causes.

The right photo can help establish credibility, build trust, and promote engagement. These are at the heart of connecting in the world of social media and essential if you ever hope to sell someone on what you have to offer.

A “landing page” is a page on your website that highlights one specific product offering. It is called a landing page, because it is the page you want people to land on when you direct them to it from email newsletters, social media, affiliate links, etc.

The goal of the landing page is to convert interest into leads or–better yet–sales. In a sense, it is a salesperson who works for you non-stop, 24 hours a day, seven days a week.

Once you have completed your work on a new product—whether it is a book, a record, a new CD series, or even a blog—you will probably have some time before it is available to the market. This is the perfect opportunity to get your ducks in a row and prepare for the launch.

One of the first things you need to create is a great online media kit. This is a page on your website or blog where you will want to send:

In the last decade, we have witnessed the “free revolution.” Marketers are giving away everything from books and software to vacations and even cars. This has shaped consumer behavior to the point that people often expect free and resent having to pay.

I see this every week in the publishing industry with ebooks. Many consumers expect them to be free or sold for a nominal amount, because they incorrectly believe that they don’t cost anything to produce.

Most creatives I know hate marketing. They want to write, speak, or entertain. But they hate the thought of promoting themselves or selling their art.

If this describes you, I have good news. Marketing is dead.

Fiction marketing in the current publishing environment is an evolving art. Some have described it as the “Wild West,” where anyone can win big. Others have hailed it as the “end of publishing” as we know it.

But for those willing to take a chance—and responsibility—it’s an environment that is full of opportunity. The question for authors is this: How can you best leverage your stories and your brand for the long haul in a quickly evolving market?

I hear the following from authors all the time, “All I want to do is write. I hate promoting myself. I’m no good at it.” The result is they don’t work on their platform, hoping somehow that the whole notion will somehow just go away.

Putting your head in the sand is not the answer. It’s no longer a question of if an author needs a program, it’s now part of the writing business and can mean the difference between success and failure.

Several weeks ago, I had the privilege of hosting the Chick-fil-A Leadercast Backstage program. I interviewed several notable authors as they came off the stage, including John Maxwell, Seth Godin, Dan Cathy, Suzy Welch, Frans Johansson, and several others. I thought I would share these with you over the next several weeks.

Sir Ken Robinson, Ph.D. is an internationally-recognized leader in the development of creativity and innovation. I first encountered him when I heard his presentation at the 2006 TED Conference. He is also the author of the New York Times bestseller, The Element: How Finding Your Passion Changes Everything.

As I interviewed him, we talked about several topics, including:

Successful creatives—authors, speakers, musicians, and even comedians—must possess two strategic assets: a compelling product and a meaningful platform. While the former is essential, it is not enough. Without a meaningful platform, you simply can’t get the attention your product, your brand, or your cause needs to succeed.

Think of it like this: If content is king, platform is queen. You can not build a personal media empire without the help of both monarchs.

Several weeks ago, I had the privilege of hosting the Chick-fil-A Leadercast Backstage program. I interviewed several notable authors as they came off the stage, including John Maxwell, Sir Ken Robinson, Dan Cathy, Suzy Welch, Frans Johansson, and several others. I thought I would share these with you over the next several weeks.

This one is with Seth Godin. He talked about several topics, including:

A few weeks ago, an author friend of mine was preparing a proposal for his new book. He called to ask me what social media stats he should include. In other words, what would be meaningful to prospective publishers? This is a great question.

Agents and publishers are looking for authors with meaningful platforms. Most look at specific social media stats as a proxy for this. These stats include those specifically related to blogging, Facebook, and Twitter.

Several years ago, I had lunch with a prominent, formerly best-selling author. He was angry that his sales had been in steady decline for several years. Unwilling to accept any responsibility, he poked his finger in my chest and hissed, “My job is to write the books; your job is to market them.”

In the old world, he was right. Authors created the product and relied on their publishing company to market it. But that world is dead. That doesn’t mean that publishing companies expect you to do everything. But it does mean that they are more effective if you have a platform already in place. It provides something for them to leverage.

Although I’ve been blogging since 2005, I still feel like a newbie, sometimes. For years, I’ve wondered, “Why is nobody reading what I’m writing?” Maybe you’ve asked the same question.

I’m beginning to discover the answer. It has to do with community.

Publishers are increasingly using “book trailers” to raise awareness for their books. We are certainly using them here at Thomas Nelson. For some projects, they are very, very effective.

Yesterday, we held our Quarterly Team Meeting at Thomas Nelson. This is a meeting with all our Nashville-based employees. In the meeting, we report on our most recent quarterly performance, recognize our top performing divisions, preview a few of our “coming attractions,” and then hear from one of our authors. (Yesterday, we heard live from Emerson Eggerichs, author of Love and Respect.)